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Editorial: Nisar Keshvani
Welcome aboard ISEA!
From this issue, fAf is delighted to deliver all ISEA members our
digest via email. It landmarks a partnership with one of the world's
most established electronic arts organisations.
The last two years have been particularly exciting at fAftown, we've
grown from strength to strength. fAf has rekindled and forged new
partnerships with various organisations, we've redesigned our site
and improved our coverage of global activities, thanks to dedicated
staff and readers goodwill.
Most importantly, with support from the Australia Council for the
Arts & Queensland University of Technology, we've commissioned
a series of international articles and exhibitions. It is amazing
how a spark of an idea dominoes into a new development, and how forthcoming
people can be (especially since we *are* strangers on the Net).
More good stuff will roll, I'm sure ... so watch this space ;)
In this edition, we feature McKenzie Wark's 'Index to This Fabulous
World' - texts relate to his online essay, Hacker Manifesto 2.0. Mark
Beam's 'The Art of Implication' discusses the non-verbal meanings
inspired by work in online communities and how they affect the physical
realm.
Garry Bolles in 'Historic Collaboration' delivers insight on technology
development and Anne Walton's 'Word's out on: Woomera' examines visas.
Faye Shen reviews the LaSalle-SIA College of the Arts' 'aseanARToday'
exhibition, Elizabeth Amon looks at 'Conexion Remota' by Roberta Bosco
and Stefano Caldana featuring at Barcelona's Museum of Contemporary
Art.
Glen Wetherall critiques Stephen Barron's cdrom, 'Art PlanÈtaire'
and Sally Walker examines the inaugural 'Game Studies - the international
journal of computer game research'. |
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