| |
|
|
| The 10th Singapore Film
Festival brings you a total of 114 features in the main programme
and 200 fringe films from 40 countries. 40 percent of the movies are
Asian. Media Mail brings you a pick of six must-see films. |
| |
|
Little Sister
Netherlands, 1995
Director: Robert Jan Westdijk
Winner of three Dutch Film Festival awards including best film in
Utrecht, voyeurism, videotape and incest are compelling ingredients
in Little Sister. Shot entirely with subjective camera, the micro-budget
Dutch feature is seen through the eyes of Martin, Daantje's big brother
who is obssessed with her.
Martin is only seen when the camera falls into other hands or is left
stationery. Almost playful at first, the little sister turns the tables
on him when she takes control of the camera. A shocking plot develops
when an old Super-8 film replays totally unexpected traumatic childhood
scenes. |
|
| |
|
|
Marian
Czech Republic, 1996
Director: Petr Václav
Classed as mentally retarded on account of hereditary defects inherent
in his race, three year old Marian is taken into state care when his
mother a Romany, is judged incapable of bringing up her child. Marian
grows up wild and rebellious surviving through orphanages, correctional
centres and in and out of prison.
Unable to develop durable relationships with people he meets along
the way, can he escape the circle in which he is caught? The true
story was awarded the FIPRESCI Award and won the Silver Leopard at
the Locarno Film Festival. |
| |
|
|
Suzaku
Japan, 1997
Director: Naomi Kawase
Twenty seven year old female filmmaker, Naomi Kawase well-known
for questioning family fundamentals in her past short documentaries
brings you Suzaku.
The story centres on a Tahara family living at the south end of
Nara where Kawase comes from. As the townspeople slowly move in
search of a better life, Kozo Tahara, a father of a family who loves
his village stays on, helping with building railway tracks to his
town. However his hope is suddenly broken broken when the construction
is vainly left. Tracing their lives from the 1970s recession to
present, the film is filled with sexual tension and the small town's
idealistic wonder.
|
| |
|
|
Naseem
India, 1995
Director: Saeed Akhtar Mirza
Naseem which means the morning breeze, is a 15-year-old Muslim school
girl growing up in Bombay's decaying inner city. She shares a special
relationship, with her ailing grandfather, a scholar who tries to
infuse in Naseem's mundane life, a sense of history, poetry and music.
He talks lovingly of a language, culture and value system that is
rapidly being eroded (sometimes presented in Rashomon-like contradictory
flashbacks). With his death, it appears that a whole era - now denigrated
and disowned - is being wiped out of our collective memory. Now Naseem
is forced to face the frightening future - alone. |
| |
|
|
Three Friends (Sechinku)
Korea, 1996
Director: Soonrye Yim
The story opens with three close friends on high school graduation
day in a provincial Korean town. Failing their entrance exam leads
Independant, Fatso and Petal to an uncertain future. Without a degree,
our three protagonists must look for another way.
Their compulsory military service call-up is lurking near. They
face different destinies in their army and reunite only much later.
Each in their own way have been betrayed by the system. They are
not so much losers as anti-heroes. Portraying Korea's Generation
X, director Yim Soon-Rye's debut is a daring mix of light-hearted
comedy and realist drama. |
| |
|
|
 |
Small Faces
United Kingdom, 1995
Director: Gillies MacKinnon
From the makers of Shallow Grave, brothers Gillies and Billy MacKinnon
bring you the story of three MacLean brothers, in Glasgow back in
1968. Fourteen year old Lex lives with his widowed mother and two
older brothers Bobby and Alan. Bobby, 18 fancies himself as Glasgow's
hard man hangs out with local gang - the Glen. Alan, 17, longs to
escape to art school. Lex, a genius is torn between Bobby's danger
and excitement and Alan's creative promise, is an uneasy hybrid of
the two. Then there is Joanna McGowan, a sweet girl courted by Lex
but awkwardly hankered by Bobby with his sensational stories. However,
she is attracted to the sensitive Alan. |
| |
|
|
|